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GNASHERS

"Poetry is Language at it's most distilled and most powerful" - Rita Dove

 Gnashers have been ground down, these are your poems that have been through the gauntlet, forged in the fires of your google drive and tinkered on by wordsmiths until every nook and cranny has been nitpicked and you are sure its sharpest edges have been honed to perfection. 

Red Alert

Lynn White (she/her)

It’s not enough to take to the streets one million two million it still needs more. It’s not enough to sign your name three million four million it still needs more. It’s not enough to cast your vote nine million ten million think of a number million it still needs more. It’s never enough the clowns still will have more. First published in New Verse News, December 14 2019 Lynn White lives in north Wales. Her work is influenced by issues of social justice and events, places and people she has known or imagined. She is especially interested in exploring the boundaries of dream, fantasy and reality. She has been nominated for Pushcarts, Best of the Net and a Rhysling Award.

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Embraced By An Alien From The Purple Planet, I Almost Touched Infinity

Heather D Haigh (she/her)

His body iridescent in the glow of Earth’s lonely satellite, keratin stroking flesh, invoking shivers, lest his scales catch my wrinkles and I tatter. Instead we glide, cool and smooth, him slyssing silver locks, while age-spotted hands reach for gleaming faunal buds and, reverentially, he bites off, chunks of my hair and chews, bites and chews and swallows, then whispers, Earth men say you bad? I stroke a bony nub and shake my head. They say nothing. Nothing at all. Soon, he left me for a hirsute octogenarian. I stroke my stubble, and hope.

F-Bomb Alert!

Jefferson Carter (He/Him)

Every fuckin’ morning I see his fuckin’ picture in the fuckin’ paper. My mother told me over-using the F-word weakens its impact. So why does telling a lie over & over enhance its power? Raising my fork, I look through the tines at his face, visualizing him behind bars & his future fucking. Jefferson Carter’s work has appeared in journals like Barrow Street and Rattle. Chax Press (Tucson) published his ninth collection, Get Serious: New and Selected Poems, a Southwest Best Book of 2013. Free Hugs, his thirteenth collection, is now available from Coyote Arts (NM). For more information, visit jeffersoncarterverse.com Carter has lived in Tucson, AZ, since 1953 and taught composition and poetry writing full-time for 30 years at Pima Community College.

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No Need for Concern

Kate Lewington (she/they)

i had been picked up from school and was sat in the back of the car when you told me we had an appointment with the doctor to attend that afternoon i was getting into trouble at school all i wanted to ask was if i would have to roll up my sleeves because if you wasn't aware and i couldn't articulate the doctor could write it off as adolescence if i kept hidden under clothes that i am tearing my flesh apart then there is no need for concern, it will pass. From the South of England, Kate is a writer/poet and blogger. Their writing is largely based on the themes of belonging, loss, and wonder. They have been recently published by Roi Fainéant Press, Autumn Sky Poetry Daily, World Insane and TrashLight Press. https://katelouisepoetry.wordpress.com/

Trigger Warning - Self Harm

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Unlikely Companions

Trish Hopkinson (she/her)

It’s hard to say how it arrived, a remnant of what it once was, incongruent in this place where sodium and potash lap at white sands; where seagull carcasses scatter in assorted states of decay, ghostlike bones and feathers mixed into the beach like a slurry. Some still fly here, awaiting demise, scavenging for scraps, mingling with the millions, loitering as the shores broaden. This forsaken lake abides by its keepers, watched over by a single, empty armchair, leaning slightly on a sunken foot, as if to say, I, too, am broken. I, too, must abide to those who abandon me. Overhead, geese contemplate migration, turkey vultures circle; their great wings stretched wide intimidate the few sparse clouds collecting, but promising no drizzle. The armchair looks toward the clouds and beckons, scowls at the vultures, prays for rain. SLC CWC Iron Pen Winner, 2024 Trish Hopkinson is a poet and advocate for the literary arts. You can find her online at SelfishPoet.com. Her poetry has been published in several literary magazines and journals; and her most recent book A Godless Ascends was published by Lithic Press in March 2024. Hopkinson happily answers to labels such as atheist, feminist, and empty nester; and enjoys traveling, live music, and craft beer.

Call me Issac,

Holton Lee (any/all)

Call me prophet. Call me doom. Family. A strange and suckled beast of slaughter, and what a beast of bloody mouth, of saintly hemorrhage on sacrificial altar. How obedient, how righteous, it is to bring its own kindling, its own pyre. Feel the buckle of my knees, taste the churl of my bile, smell the sparking of this flame, hear the angelic hymnal choir, see the callous of the blade within my palm. What a beast of bloody mouth. What a beast of bloody mouth. What a beast of bloody mouth. Holton Lee (Any/All) is an emerging poet based in Salt Lake City, and occasionally in your dreams (yes that was them, you’re welcome). Their work centers around queerness, identity, and whatever comes to mind. You can find them in cat cafes, co-running Salt Cured Collective, and talking to the local crows. They hope you enjoy their poems.

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Beautiful in Spite of You

Andrew Earley (he/him)

I found my solace in crowded basements filled with disregarded souls. our hearts full and our hopes dashed, Let down by everyone, except for each other. We screamed. We struggled, fighting to feel real, with broken knuckles Bloodstains, bruises, and ringing ears. We faced our fears. Hearts on fire. We sang like we were seeds, and danced until we dripped with sweat, irrigating our hopes for revolution. We were alight with lives lousy with ideals, questions for everything, and living as our only answer. I wrote about my sleepless nights in empty buildings, back alleyways, and rooftops chasing away the sunrise, refusing to let the stars rest. Notebooks of night skies screamed that if we never sleep, our days will become home for our dreams, that living is the way to feel alive, and what an awful shame to sleep on that. The city whispers its secrets at 4 am, and the hotter they are the higher they climb, until rooftops bellow life-stories so many miles above those lives that it feels like omnipotence soaring over city streets, standing on the top of the world. When i finally slept i made my bed in a house nobody owned. I guess in the heart of a city no one needed shelter like their land lord needed rent checks when 1983 drowned downtown. Like a good Utah boy the landlord buried his shame so nobody would talk about it, threw up plywood prophylactics to protect from undesirables, and then let the weeds come in. I hope whoever used to fill the halls of my bedroom got their shit out safely. Our home fit us basement souls perfectly. It was a home we made so beautiful they demanded we give it back. But we framed it up with two by fours and necessity. Insulated it with fiberglass dreams in the face of unsheltered nightmares. Carefully arranged fuck you band flyers and fuck you graffiti over freshly hung drywall some construction site misplaced. Said, “if you want it so bad come and take it. Watch, these empty bones crumble without us.” You forgot about us and we’re in love with making your apathy incomprehensibly beautiful. Punks have the most beautiful dreams. I still believe in punk rock things, I believe in dreams deemed Too idealistic I still believe It’s worth the fight That bloodied and broken Or not sleeping at night “Sometimes” means “shelter” for the disregarded souls, lost and alone, with beautiful dreams and hearts on fire. Ready to give everything to the ideals of fuck you walls, roofs, and floors made so beautiful we could never let them take them. Sometimes those rooftops and back alleyways still sing for me. Feed oxygen to my smoldering embers, kept safe and warm by the legacy of a life lived, not looked at. Despite my anxious head, swearing I’m nothing if not disregarded… Bike house, one of the longest running squats in the country, was the first successful case of adverse possession in Utah since something like the 1960s. Elsewhere,the city is still inscribed with a fading legacy of loving fuck you’s From punks, in love with making it beautiful.

SUBMISSIONS

Submission Guidelines

 

Wailing or Gnashing?

 

   Before submitting your poetry, decide whether your submission qualifies as a wailer or a gnasher, and label each poem in your submission with the category that best fits your work based on the descriptions below:

 

   Wailers are raw, unfiltered, and unrefined. These are the poems that didn’t just leap out of your brain, they clawed their way up and out of you to claim a space on the page and now refuse to be moved. Send us your first drafts, you late night ravings fueled by nothing but rage and monster ultra, your hand written love poems-- their pages still wet with dewy heartache, and any of your other work that needs to exist.

 

   Gnashers have been ground down. These are your poems that have been through the gauntlet, forged in the fires of your google drive and tinkered on by wordsmiths until every nook and cranny has been nitpicked and you are sure its sharpest edges have been honed to perfection. 

 

   If you don’t know which category to submit to, do not fear! Simply do not label your poems and we will decide what category you will be published under upon acceptance. Labeling your poems upon submission will, however, streamline the editorial process and should expedite our response time. 


 

What we accept:

 

  • Submissions of 1-3 poems (no restrictions on length or style, but be warned, we all have ADHD and attention spans to match. That’s all to say, if your poems are especially long they better be especially good!) We do accept work previously published in other journals so long as you maintain the rights to your work. 

  • Simultaneous submissions are accepted and encouraged! Go get that bread! But if your poem is accepted elsewhere before you hear from us, please let us know if a poem needs to be withdrawn or attributed to the original publisher. Email wailingandgnashing@aamputah.org with (withdrawal/publication notification- name) in the subject line.)

 

We will not accept:

 

  • Any work that has been written in whole or in part by Artificial Intelligence. 

  • We are committed to fostering a creative space that celebrates diversity and promotes respectful expression. Submissions containing hate speech, racism, sexism, homophobia, transphobia, ableism, or any form of discriminatory or dehumanizing content will not be accepted. We reserve the right to reject work that goes against these values.

 
General Submission Guidelines

 

  • Submit through the form linked at the bottom of this page. 

  • We prefer docx/doc. Only send us a PDF if your formatting is complex enough to require it.

  • Remember to label each poem as either a Wailer or a Gnasher

  • If you submit before you’ve heard back from us, your submission(s) will be ignored.

  • Please include a short cover letter and bio in the body of your submission email.

  • If accepted, please wait 6 months before submitting again.

  • We encourage submissions from BIPOC, LGBTQ+, women-identified, Palestinian, emerging, and disabled writers, as well as submissions from educators and any other historically marginalized writers.

through
Rights:

 

  • We acquire First North American serial rights, and rights revert to the author upon publication. We ask to be acknowledged in any future reprints.

Response Time:
  • We aim to respond within 3 months. If you haven’t heard from us after 4 months, feel free to reach out.

  • Expedited 2 week responses available (info below).

Payment: 
  • General submissions are and always will be free.

  • We have options for expedited ($10) and feedback ($30) responses. Please Venmo @aamputah and include your full name in the Venmo note, along with the tag “W&G expedited” or “W&G feedback” (or both if need be!). 

  • We also accept and appreciate any donations to our tip jar. Same Venmo as above! Put “W&G Tip Jar” in your note, we do our best not to let tips effect our judgement, but they do help with our hosting fees!

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